National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
Community rejection of low threshold services for drug users in Prague
Valachová, Zuzana ; Nekola, Martin (advisor) ; Tůmová, Kateřina (referee)
This paper focuses on the topic of low-threshold centers for drug users in the context of NIMBY attitudes, which refers to the resistance of local communities to the placement of these centers in their neighborhoods. Prague is currently struggling with a lack of these services, which despite the urgency of the situation, remains unresolved. This paper seeks to understand the relations between NIMBY attitudes and such centers and the impact these attitudes have. It also reveals other factors that influence their operations. Finally, the paper defines the main issues of these centers and proposes possible solutions. These goals were achieved through a multiple-case study of the Drop In and Progressive centers, which involved interviews with their managers. Media research was conducted to gain insight into the situation from other parties involved. It was found that the Drop In center does not face any disturbances, while the other was closed due to disturbances by its residents that reached the political level. The main factor causing troubles was the volume of clients in the area, which disrupted peace and safety. The large volume of clients is caused by a lack of such centers and other addiction services in Prague. If the load was spread across more locations, services and their clients would not...
Imagination and Poetics: Means of Expression of British Progressive Rock in 1967-1977
BENEŠ, Jan
The topic of the thesis is the interpretation of some key means of expression of British progressive rock music, from its heyday at the turn of the sixties and seventies through the period of search and experimentation in the mid-seventies to the onset of punk and the change in the arrangement of the aesthetic standards of rock and the breadth of popular music in general. The work primarily deals with the ways in which the British progressive rock scene communicated with the public, i.e. the analysis of content components such as the themes of the compositions and the related graphic and visual presentation of the key musical works of the time. The work tries to trace and describe the connections between the individual expressive means of progressive rock in the British music scene, i.e. literary, musical and visual means, including innovative ways of communicating with the audience in the form of concerts and theatrical elements of the presentation.

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